The Lowdown with... Alexandra Peel
Today's Lowdown continues to shine a spotlight on the contributors to GAME OVER. Today's victim
is... Alexandra Peel.
Alexandra is a visual artist turned author. She has a degree in Fine Art, Sculpture and has been a freelance community artist, painter, graphics tutor and book seller; she currently works as a Learning Support Practitioner in a F.E./H.E. college. The author of The Unsinkable Molly Brown, a pirate adventure for children, she has also created a series of Penny Dreadful style stories under the heading, The Life and Crimes of Lockhart & Doppler, about a pair of miscreant treasure hunters based on hers and her daughter’s Steampunk alter egos. She is a member of Wirral Writers and can be found on Twitter and at her blog.
1. Tell us three things about yourself.
I hate pulses; I have a kind of horror of the ‘gritty’ texture of beans, especially baked beans. When I was a toddler, my father –in his wisdom as a new parent – made me eat a bowl of vegetable soup; I threw up all night and my mother forbade him from forcing me to eat vegetables again. So I grew up eating all my veg raw – carrots, cabbage, swede, etc.
I have a black belt in Tai Kwon Do, hard earned as I am rather heavy around the ‘beam-end’.
I harbour a secret fantasy that I am actually not my parents daughter.
2. What was the first thing you had published?
When my generation was growing up, parents were very hands off in their child rearing. I spent a lot of my early years alone in the back garden, or in the shed. I loved the shed, it smelt like an ironmongers shop. Here I drew a picture on a blackboard of a horse and a girl. My mother, when I showed her, sent me away to write a story about it – she was too busy doing laundry to appreciate my emerging talents! ‘The Princess and the Pony’ was printed in that week’s edition of the Liverpool Echo.
3. Which piece of writing are you proudest of?
I wrote a story (unpublished) called ‘Beneath the Skin’. Set in an alternative 19th century. I began it at a writing workshop run by Sam Stone at Lincoln Asylum, Steampunk weekend. It began with an idea of a serial killer and grew into two parallel stories that contrast then collide. It is my first full length novel.
4. …and which makes you cringe?
Lots. I’m relatively new to this. I’m learning. I tend to get over excited when I’m ‘on a roll’ and forget all about the technical aspects of the English language; I string lots of adjectives together like a badly made, colourful bunting.
5. What’s a normal writing day like?
I don’t really have one. I have a ‘real’ job which takes up four or five days a week, however, it is part-time. Sometime I write for hours for days at a time, other times I do a short story and leave it at that. I am quite possibly the most undisciplined person in the UK, I’m naturally lazy. I carry little notebooks around with me to scribble ideas in; my work bag was stuffed with torn strips of paper at one point, collected over a period of weeks, I had to collate it all together – and then I ignored it for another few weeks.
6. Which piece of writing should someone who’s never read you before pick up first?
I reckon a visit to my Blog. The stories are short, accessible and, like candy floss, require little effort of the part of the consumer. All the stories are about the same two characters – Lucy Lockhart and Theodora Doppler – a mother and daughter treasure hunting duo. Set in a ‘Steampunk’ alternate 19th century, Lockhart and Doppler are miscreants, opportunists and serial bed-hopper in the case of Lockhart. Frivolous fun in the style of the Penny Dreadful.
7. What are you working on now?
A couple of things at once – I have the mind of a butterfly. A short story for an online submission about being stranded on a desert island.
A 500 word piece for the writing group I am a member of – Wirral Writers – which I am struggling with, we get given a title, or a sentence, or selection of disconnected words and have to come up with something along those lines.
Another story about Lockhart and Doppler for my blog. Plus, the second part of ‘Beneath the Skin’.